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1. Arctic Monkeys Favourite Worst Nightmare
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Arctic Monkeys Favourite Worst Nightmare

Breathless praise is a time-honored tradition in British pop music, but even so, the whole brouhaha surrounding the 2006 debut of the Arctic Monkeys bordered on the absurd. It wasn't enough for the Arctic Monkeys to be the best new band of 2006; they had to be the saviors of rock & roll. Lead singer/songwriter Alex Turner had to be the best songwriter since Noel Gallagher or perhaps even Paul Weller, and their debut, Whatever People Say I Am, That's What I'm Not, at first was hailed as one of the most important albums of the decade, and then, just months after its release, NME called it one of the Top Five British albums ever. Heady stuff for a group just out of their teens, and they weathered the storm with minimal damage, losing their bassist but not their sense of purpose as they coped in the time-honored method for young bands riding the wave of enormous success: they kept on working. All year long they toured, rapidly writing and recording their second album, Favourite Worst Nightmare, getting it out just a little over a year after their debut, a speedy turnaround by any measure. Some may call it striking when the iron is hot, cashing in while there's still interest, but Favourite Worst Nightmare is the opposite of opportunism: it's the vibrant, thrilling sound of a band coming into its own.

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The Arctic Monkeys surely showed potential on Whatever People Say I Am, but their youthful vigor often camouflaged their debt to other bands. Here, they're absorbing their influences, turning their liberal borrowings from the Libertines, the Strokes, and the Jam into something that's their own distinct identity. Unlike any of those three bands, however, the Arctic Monkeys haven't stumbled on their second album; they haven't choked on hubris, they haven't overthought their sophomore salvo, nor have they cranked it out too quickly. That constant year of work resulted in startling growth as the band is testing the limits of what they can do and where they can go. Favourite Worst Nightmare hardly abandons the pleasures of their debut but instead frantically expands upon them. They still have a kinetic nervous energy, but this isn't a quartet that bashes out simply three-chord rock & roll. The Monkeys may start with an infectious riff, but then they'll violently burst into jagged yet tightly controlled blasts of post-punk squalls, or they'll dress a verse with circular harmonies as they do at the end of 'Fluorescent Adolescent.' Their signature is precision, evident in their concise songs, deftly executed instrumental interplay, and the details within Turner's wry wordplay, which is clever but never condescending. Indeed, the remarkable thing about the Arctic Monkeys -- which Favourite Worst Nightmare brings into sharp relief -- is their genuine guilelessness, how they restructure classic rock clichés in a way that pays little mind to how things were done in the past, and that all goes back to their youth.

Born in the '80s and raised on the Strokes and the Libertines, they treat all rock as a level playing field, loving its traditions but not seeing musical barriers between generations, since the band learned all of rock history at once and now spit it all out in a giddy, cacophonous blend of post-punk and classic rock that sounds fresh, partially because they jam each of their very songs with a surplus of ideas. Some of this was true on their debut album, but it's the restlessness of Favourite Worst Nightmare that impresses -- they're discovering themselves as they go and, unlike so many modern bands, they're interested in the discovery and not appearances. They'll venture into darker territory, they'll slow things down on 'Only Ones Who Know,' they'll play art punk riffs without pretension. Here, they sound like they'll try anything, which makes this a rougher album in some ways than their debut, which indeed was more cohesive. All the songs on Whatever shared a similar viewpoint, whereas the excitement here is that there's a multitude of viewpoints, all suggesting different tantalizing directions they could go. On that debut, it was possible hear all the ways they were similar to their predecessors, but here it's possible to hear all the ways the Arctic Monkeys are a unique, vibrant band and that's why Favourite Worst Nightmare is in its own way more exciting than the debut: it reveals the depth and ambition of the band and, in doing so, it will turn skeptics into believers.

1. I Bet You Look Good on the Dancefloor

“Don’t believe the hype.” Those are the words muttered by Alex Turner after introducing his band in the video to their single I Bet You Look Good on the Dancefloor, their debut on Domino. That was the moment Arctic Monkeys’ hype skyrocketed from fans filesharing the group’s early music on web forums and MySpace into something inescapable. The four sheepish teenagers captured on film were not the kind of obvious stars you’d expect such a blistering performance from, but this was the start of it all. Dancefloor, still their biggest hit so far, captured the musical zeitgeist of the mid-00s, with the post-punk and garage rock revivals allowing guitar bands to make a huge impact. “Lighting the fuse might result in a bang,” goes the pre-chorus, which summed up the breakdown of the borders between the mainstream and the independent. Paying no heed to Turner’s warning, the nation bought the single, sending the track straight to No 1.

2. When the Sun Goes Down

When the Sun Goes Down followed its predecessor to No 1, and it was also the most structurally and lyrically multi-dimensional song on their debut album. Turner’s reputation as a great storyteller began with this contemporary view of Jarvis Cocker’s Sex City and symbolised the passing of the Sheffield torch. Turner’s greatest scorn is reserved not for the woman looking for custom who is “scantily clad beneath the clear night sky”, but for the “scummy man … I bet he’ll rob you if he can”. In what feels like a concerted attack, each passing second becomes more piercing and aggressive as the group goad him into admitting “what his story might be”. Turner’s breathless vocals and Helders’ racing drums come at breakneck speed – the soundtrack of excitement and a club anthem for years to come.

3. A Certain Romance

A Certain Romance is on the surface a lament about the claustrophobia of living in a town untouched by imagination. But this isn’t a protest song. If anything, it’s about acceptance: a song that documents unease about a culture in decline and being part of generation approaching adulthood. Turner’s choice of contrasting “knackered Converse” and “trackie bottoms tucked in socks” presents two subcultures in opposition in the same environment. Growing apart from your peers is a rite of passage for all of us, and with all those irreplaceable, wasted nights: “Well over there, there’s friends of mine / What can I say? I’ve known them for a long, long time / And they might overstep the line / But you just cannot get angry in the same way.” A Certain Romance insists it is futile trying to change others when your destiny is the same “around here”.

4. Fluorescent Adolescent

Debut LP Whatever People Say I Am, That’s What I’m Not was followed 15 months later by Favourite Worst Nightmare. Capitalising on their momentum, Favourite Worst Nightmare was recorded in December 2006 and produced by James Ford of Simian Mobile Disco, whose guidance added a dancier dimension and different genres for the group to pluck new inspiration from. Turner delivers his lines more akin to scat singing, while his counterparts laid down a ska-indebted rhythm, with a playful hurdy-gurdy guitar lead. Turner’s then girlfriend, Johanna Bennett, co-wrote the single with him in a hotel room and was perhaps responsible for the new, progressive characterisation of women in their music; she’s “discarded all the naughty nights for niceness”, and it’s the boy who is the slag.

5. 505

Just as on their debut album, on their second Arctic Monkeys saved their best song until last. Furnished by an Ennio Morricone organ sample (taken from the soundtrack to The Good, the Bad and the Ugly), Turner’s imagery and scene setting are suitably vivid and worthy of the silver screen: “In my imagination you’re waiting, lying on your side / With your hands between your thighs.” The track unfolds patiently, from suspended notes and guitar flourishes (played by Miles Kane) to a frenetic finish. Turner’s words are among his most poignant and tender, particularly at the climax: “But I crumble completely when you cry,” he yells, before the rest of the group crash into view. It’s a perfect finale.

6. Crying Lightning

The lead single from the third Arctic Monkeys album, Humbug, arrived a year after Turner linked with Miles Kane to release an album as the Last Shadow Puppets. The gap between Favourite Worst Nightmare and Humbug found Arctic Monkeys adopting a darker sound, influenced by their friendship with Josh Homme of Queens of the Stone Age, who co-produced the album. Structurally, it’s one of the group’s most sophisticated and interesting songs, adopting Homme’s tecehnique of the dramatic pause. Lyrically, Turner explores his contempt for the mind games between him and his partner. The title refers to the running mascara of girls when they cry – a spectacle he was once fond of – and Turner becomes more and more contemptuous as he picks apart her sweet demeanour.

7. Cornerstone

Richard Ayoade’s hilarious video for Cornerstone presented Turner as he had never seen before; self-aware, a little seedy, and helplessly saccharine – beyond forlorn as he chases the phantom of a former flame. Ayoade’s clip captures the frontman as a hapless fool, and for once you wish he would stop oversharing to save himself the embarrassment. Everything reminds him of her to the point of driving him insane (Cornerstone is the name of a counselling and therapy centre in Sheffield), before Turner admits “I’m beginning to think I’ve imagined you all along.” This song set the blueprint for the dreamy reveries and lilting ballads Turner wrote for the soundtrack to Ayoade’s film Submarine a year later.

8. The Hellcat Spangled Shalalala

A highlight of their confused fourth album Suck It and See, The Hellcat Spangled Shalalala is (lyrically speaking) Turner at his best. Characterised by a strolling, melodic bassline, and the interplay of wistful, ringing guitars, Turner paints an impressionistic canvas more reminiscent of Monet than Morrissey. The title’s vagueness is central to the song’s magic: just what exactly is The Hellcat Spangled Shalalala? “That’s Alex’s imagination,” said Nick O’Malley at the time, while drummer Matt Helders added: “I don’t even know.” Hard to tell, but the narrative evokes plenty of fantasy. The Hellcat Spangled Shalalala is perhaps a feeling more than anything else – if not, it’s certainly a phrase for a sparkling singalong.

9. Do I Wanna Know?

In 2013, with two members now living in Los Angeles, Arctic Monkeys entered a new phase of their career. Despite their popularity in Europe, cracking America remained a target. What was needed was a statement: enter Do I Wanna Know? Shaped by Jamie Cook’s monolithic riff, this brooding, slow-burning number was a fully realised take on the attempts at heavy, dark rock heard on Humbug. Their reuniting with Josh Homme saw them trade denim for leather, and Turner’s smouldering vocal performance is loaded with innuendo and desire. Arctic Monkeys sold their adopted home’s sound back to them, and the album AM hit the US top 10.

10. I Wanna Be Yours

Arctic Monkeys Favourite Worst Nightmare Torrent

The irony of AM’s most poignant and touching song – and, in a wider sense, Turner’s songwriting development – is that his journey leads him to find the answers he needs through the words of others. On I Wanna Be Yours, Turner learns about devotion through John Cooper Clarke, specifically his poem of the same name. Clarke applauded Turner for “spotting the romantic hards” in his composition, though it didn’t stop his disciple from adding a few lines of his own. Turner’s lessons come as a swooning, Spectoresque arrangement fashioned with a personal and creative confidence that leaves anyone weak at the knees. “Secrets I have held in my heart / Are harder to hide than I thought,” sings Turner, finally offering himself as warm, deep, sincere and, most importantly, dependable.